![]() ![]() Luka Feireiss (Amsterdam: Sternberg Press, 2019), 227 – 244.įigure 1: Diagram showing the tautological process of meaning creation. Publication: Eduardo Navas, “Re-versioning The Elements of Selectivity: Transformation and Originality after Remix,” Radical Cut-Up – Nothing is Original, ed. In closing, emerging artificial intelligence’s agency is reflected upon as the paradigm of metacreativity continues to be established. I then evaluate how machine learning is implemented by artists for the production of works in ways that revisit questions of authorship as an individual and collective practice in terms of metacreativity – a delegation of workmanship from humans to automation. ![]() I first discuss how selectivity forms part of communication, to then consider its increasing importance in creativity. In this essay, I focus on the emerging role of machine learning as an integral part of the elements of selectivity and remix in art and music. You can find a direct link to my essay as part of the publication’s website. I thank the editors and peer reviewers for their generous feedback during the long peer review process. The essay was initially written in 2019, and I am very happy to finally see the publication released. My Essay “Machine Learning and Remix: Self-Training Selectivity in Digital Practice” has been published in the anthology Studies in the Arts, edited by Thomas Gartmann and Michaela Schäuble. We are planning three more remix studies events for Fall 2021 and Spring of 2022. Information about The Routledge Handbook of Remix Studies and our previous two publications can be found at r Registration for this free event is free via Zoom. ![]() ![]() Our second dialogue is taking place on September 23 and will feature scholars, artists, and designers: Aram Sinnreich, Maggie Clifford, Fernanda Rosa, Scott Church, and Michael Collins who are brought together to continue our ongoing discussions on remix as a creative variable at play across culture. A video recording of the event is archived and available for viewing. It featured scholars, artists, and designers: Anne Burdick, David J. The first dialogue took place on May 5, 2021. In order to highlight our third anthology on remix studies and support interdisciplinary research on remix as a form of creative production and communication, xtine burrough, Owen Gallagher, and I decided to organize a series of dialogues via Zoom. The Routledge Handbook of Remix Studies and Digital Humanities was published in March, 2021. ![]()
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